Following the sudden death of his best friend, the narrator of The Executor is called to Turin to resolve the will and literary estate of this famous writer and professor. It is a considerable undertaking, as Rudolf had amassed not only a rather extensive collection of house pets (a goose, several ducks, tortoises, and a peacock—to say nothing of Caesar, the old dog), but also a voluminous library of books and research materials.
Somewhere under this mountain of papers lies Rudolf’s magnum opus, a work so great that the writer maintained it would be the "world’s last novel." But the narrator has other obstacles to overcome: The trio of women Rudolf left behind—the widow, the secretary, and the lover—are all looking for something the narrator isn’t sure he can give. If he had known what awaited him in Turin, would he ever have gone?
"A seriocomic gem.... There's comedy aplenty here amid the colorful and the eccentric, great learning worn lightly, the whole delivered by a fine and intelligent tumble of words.... Alert all who hunger for the stimulus of real intellectual entertainment." -Kirkus Reviews (starred review)
Michael Kruger’s successful career as a poet and novelist has been paralleled by his long and distinguished record as head of the German publishing house Hanser Verlag and editor of the influential journal Akzente. He recently received the Mörike Prize, one of Germany’s most prestigious awards, in recognition of his contribution to both sides of the trade. He lives in Munich.
