A Sum of Destructions Yale University May 2002 isbn: 0300072422 $50.00 buy

Natasha Staller, October 2

Wednesday, 6pm
Sackler Museum
485 Broadway, Cambridge
tickets available in store

In this groundbreaking book, Natasha Staller closely examines for the first time the complex and intricate dialogue between Picasso and the multiple cultures of his early life. Staller argues that to a degree never before imagined Picasso's revolutionary Cubism was saturated with his past‹inspired in part by competing and colliding images, myths, and ideas from a series of cultural legacies. She tracks Picasso on his odyssey through cultures: from Málaga, where he spent his first ten years, to La Coruña, Barcelona, and finally to Paris, where he moved as a young man. Picasso's most fundamental attitudes, she contends, all were formed in Málaga. Yet Cubism could not have been invented had he not moved to Paris. Each culture became a prism through which he viewed the next; in each case he actively transformed what he found. Staller boldly illuminates what Cubism's radical attributes meant in historical and culturally specific terms. With vivid detail, she analyzes an unprecedented range of new, often archival, materials‹from coded messages señoritas sent with fans to ritual re- enactments of holy wars, from enchanted characters of fairy tales to superstitions, bullfighting treatises, provincial art-school manuals, three-minute films, and Picasso's childhood works saved by his parents from the time he was nine.